sci.lang.japan FAQ / 2. Grammar / 2.2. Verb endings

2.2.3. What is the `i' verb ending?

Plain form i form
Godan (consonant stem) verbs
kaku (かく)kaki (かき)
kagu (かぐ)kagi (かぎ)
orosu (おろす)oroshi (おろし)
matsu (まつ)machi (まち)
shinu (しぬ)shini (しに)
korobu (ころぶ)korobi (ころび)
yomu (よむ)yomi (よみ)
hashiru (はしる)hashiri (はしり)
heru (へる)heri (へり)
Ichidan (vowel stem) verbs
kiru (きる)ki (き)
aseru (あせる)ase (あせ)
Table of i forms of example verbs

This article deals with the bare -i form of the verb. That form, known variously as the ren'youkei (連用形), the "continuative form", the "infinitive", or even the " form" or "masu stem form", is used for attaching things such as and . More importantly here, it is the underlying form to which "-te" is attached, although in modern Japanese funny sound changes take place there to disguise it. See 2.1.6. How does the form work?

You can think of the bare -i form as the -te form minus the -te. The meaning is very similar, except that where "-te" often corresponds well with English "-ing" better than "and", the bare -i form doesn't match "ing" all that well. It is usually "and".

Writing differences

In , the -i form will often look like a noun derived from the same verb. For example, might be "speaks and" or it might be "speech". However, in writing (kanji-kana mixture), such words are often distinct. = "talk and" is written with a tailing , 話し, while = "speech" is written with just the one kanji, 話. (See also 1.1.8. What is ?)

Pronunciation differences

In speech, if the verb is an accented verb, the -i form and the noun are normally distinguished by accent (see 7.5. What is Japanese pitch accent?). For example, meaning "speak and" has a LHL pitch contour, with a drop of pitch between the and the . meaning "speech" has a LHH contour, with no drop in pitch until after the .

With unaccented verbs, one cannot distinguish the noun from the bare -i form in speech. Thus (LHH) may be either "plays and" or "game". They are still distinct in writing, though, because of the .

Acknowledgements

Originally contributed by Bart Mathias.


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